SERVICES
BOOM OPERATOR
Looking for someone who can not only keep up with your actors, hide lavalier microphones well, be on time recording dialogue with a boom and do it all without leaving a shadow? That's boom operator's main duties.
SOUND MIXER
Responsible for the difficult and beautiful job of ensuring that dialogue recorded during filming is suitably clear.
SOUND EDITOR
The last thing you want is for your audience to be distracted by bad sound. Sound editing is the process of smoothing out these mismatches to create continuity within a scene as well as removing unwanted clicks, pops and other unwanted noise from the production audio. Proper sound editing will save you valuable time and money when it comes time for the final mix.
SOUND DESIGNER
Sound design is the process of searching for (and often creating) the perfect set of sounds to complement your film. The first step in this process involves watching the film (in a spotting session) to establish an aural aesthetic and identify sound cues that will add to the story.
FOLEY & SFX
The purpose of foley is to either complement or replace sounds recorded on set with new sound elements recorded in a more controlled environment. This is particularly useful for subtle movements that are normally accompanied by a sound (such as footsteps) to give the audience a more realistic and immersive listening experience. For bigger effects, or effects that are difficult to create in a studio, we also offer custom SFX recording.
SURROUND/STEREO MIX
This is the final step in the post production audio process. The mixing process brings together all audio elements of a project: dialogue, sound effects, foley and music to create the proper soundscape. This careful construction of sounds can make a project of any budget sound like a big budget film.
Work with the -24 LKFS spec required by most networks, according with the "CALM Act".
